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Isaac Black

 

The Emperor's Love Letter

 Some say I am a master poet, superior to William 
Butler Yeats or Whitman. They say I'm "Acquainted 
With The Night." That's by Frost. It's Sweet. The kind 
of poem I would recite for you, Mr. Man, if you'd been 
at the Edmund Pettus Bridge. And eye-balled 
the mad dogs. But I prefer the Mojave rattlesnake's 
bite. It's toxic, causes paralysis. You can slowly 
go blind, choke. I love it that Rome didn't fall in a day. 
I am patient to a fault. I find joy in those Krav Maga 
pressure points, strikes to the Brachial plexus, 
the temple, jaw, the beauty of that well executed strike. 
I get around. In earlier times, I beat every Samurai 
swordsmen, including the master Musashi (who used
two swords at once). Sure, I've stood over Bathsheba,
Joan of Arc, and Billy Holiday before the end. One 
morn, I'll be at the San Andreas Fault, quicker than 
a throw of the dice. I always wear a confident smile. 

The day before the Twin Towers fell, you were close --
in that Borders bookstore. You browsed, even reading 
a few pages about Rasputin -- about how he was poisoned, 
shot, then drowned within a minute before he saw me. 
He didn't laugh when he noticed the scythe. Wise one, 
I've heard you talk about Eden, Einstein, the bullet's 
angle that snapped Kennedy, the one at the Lorraine 
Motel. As a kid, you used to be afraid of your shadow, 
whispers calling you from inside your little Toot-Toot 
trains. But now you're as Bad and flamboyant as this
world's hit's-makers. I can see you jumping over life's 
turnstile -- studded black jacket and boots, gloves with 
faux straps, giving me the finger or your Almighty hand.  

But I like you, really. So this is a heads-up. 
On Saturday, you're going to catch that young, 
pretty woman's eye. It'll be your good looks
and wit, the three-button, single-breasted 
tuxedo you're wearing, the one with the 
clean, unbroken line and the satin lapels. 

 Tip: Don't take her home.  

 
 

 

Hourglass                                       

His was a brain that I entered at my leisure.
I'd go to a room in the rear, put the kettle on,
sit near the shelves of books crisscrossing
avenues and byways till I heard the whistle. 
I'd have my coffee black, no sugar, wonder
if I'd ever hear, "Anybody there?" I figured 
Uncle Harvey didn't know (or care) if I was 
in his head, browsing in his Library. But 
I was wrong. In his rocking chair, he'd aged
over time, white-haired, eyes always rolled 
backwards as if he were gone. The rooms in his head
were lavishly furnished, everything conveniently 
cataloged, tiered: The Universe, History (I found 
trails along the Euphrates), Science, the Arts. 

In one corner, always, I studied poems like 
Hayden's Sphinx, Zeus Over Redeye. I worked 
at Bronx Psychiatric Center (a nominee for employee 
of the year). In all the stories about infamous 
Ward 15 in the New York Post, they never said 
I was a poet. No reporter ever asked how I could fly 
up-and-down in the hallways, float in the air, or 
stop someone from banging his or her head against 
the padded walls. They all loved me -- Superman,
Praying Mantis, Almighty God, Elvis, Casper, Roto-
Rooter Man, Double-O7, or Ms. Pussy 

                               (who said hers was on fire).*

You better believe this: I had special powers.
But I couldn't fire-up any Honey-Easel, or Hot Ice 
poems for weeks. Uncle Harvey (I imagined) knew 
I couldn’t catch my breath. He'd heard me say, 
"Pilot Me," two words from a Hayden poem.  One 
morning he did that. He flew me over the longest 
green lawn ever. I saluted security guards, docs, 
health aides, tossed my ID at the canary-less stars. 
After I tendered my resignation, I climbed to the sky-
high elevated D line, tried to outrun the Cockatoo, 
Double-07, God. Over the years my son would ask, 
"Why do I keep hearing sounds in all our bedrooms?"  
I'd tell him my stories, teach him to moonwalk, 
assure him that our guests wouldn't hurt anybody.

 

*Back in the day, Bronx Psychiatric had the only co-ed ward in the city. 

 
 

 

Isaac Black, an MFA graduate of Vermont College, has work published or forthcoming in journals like the Beloit Poetry Journal, Boston Literary Magazine, Callaloo, Fjords Review, Pittsburgh Poetry Review, Obsidian, Modern Poetry Quarterly Review, San Pedro River Review, and Spillway. He's also a recent Solstice finalist for the Stephen Dunn Prize in Poetry (2017 & 2018), winner of the Joy Harjo Poetry Prize from Cutthroat Magazine (Cornelius Eady as judge), and the 2020 Black History Month finalist for the Columbia Journal. Prior awards include the Gwendolyn Brooks Literary Award for fiction and Broadside Press Award for poetry (Black World ). A Pushcart (7 times) and Best of the Net nominee, Isaac's a recipient of poetry fellowships from the New York State Creative Artists Service Program (CAPS) and New York Foundation of the Arts. He is the author of the African American Student's College Guide (John Wiley & Sons), and founder of a major college help organization.